What responsibility does the state aid have? How does this relate to distribution and production support, now that there is no "separate" arrangement for artistic exploration? How can we protect uncompromising artists and the projects that often end up in the blind spot between funding and distribution?
Elisa Fernanda Pirir- Producer, MerFilm
Ingvil Giske - Producer, Medieoperatørene
Klara Grunning - Documentary Consultant, NFI
Silje Rise Næss - Head of Section for Artistic Assessment, NFI