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Following star actor Benoit Magimel as De Roller through a myriad of meetings with remarkable characters, actors, real-life persons and total absurdities.
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Original title: Pacifiction Year: 2022 Duration: 162 min. Country of Production: France, Spain, Germany, Portugal Languages: French, English, Polynesian, Portuguese Cinematographer: Artur Tort Sound Designer: Jordi Ribas Director: Albert Serra Editors: Albert Serra, Artur Tort, Ariadna Ribas Producers: Pierre-Olivier Bardet, Albert Serra, Montse Triola, Dirk Decker, Andrea Schütte, Joaquim Sapinho, Marta Alves, Laurent Jacquemin

Talk: | Saturday 14.10 | Star director and Cannes winner Albert Serra will be present for a talk after the screening.

The ghostly presence of a submarine seems to threaten the return of nuclear testing at the French Polynesian Island of Tahiti. The High Commissioner of the Republic and French government official at the French Polynesian Island, De Roller, is a calculating man with flawless manners. His somewhat broad perception of his role brings him to navigate the high-end «establishment», as well as shady venues where he mingles with the locals. Almost like a documentary method, Serra used three cameras to shoot almost 600 hours of footage, employing a very free, improvised ad hoc technique, sending Magimel into scenes freeing up his ranting capabilities. 1276 pages of dialogue transcription was the basis to create a truly remarkable and beautiful film hovering in its own universe somewhere between David Lynch and Claire Denis. 

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Albert Serra, the Catalan maverick, weaves cinematic tapestries. His films, featuring non-professional actors and artistic adaptations, challenge conventional norms. With a minimalist style, he reimagines history and blurs the lines between theatre and film.

Albert Serra (b. 1975) is a multidisciplinary artist and filmmaker. After studying philosophy and literature, he transitioned to playwriting and video art. His breakthrough came with HONOR OF THE KNIGHTS in 2006, a unique adaptation of Don Quijote featuring non-professional actors from his village, earning recognition at Cannes' Directors' Fortnight.

«It’s fascinating to film today’s world and I do so without any ideology, without preconceived ideas or the wish to channel a voice and a stance on the era. I’m only interested in pictures. In this instance, the depiction of a paradise which has us wondering whether it really does exist or whether it’s only a mirage».
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