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Inside Amir is a personal exploration of what it means to leave one mother country for a life elsewhere. It won the 2025 Giornate degli Autori Director’s Award at Venice, with the jury headed by Norwegian writer and director Dag Johan Haugerud.
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Original title: Daroon-e Amir English title: Inside Amir Year of Production: 2025 Duration: 103 min Country of Production: Iran Languages: Persian (Farsi) Subtitles: English Director: Amir Azizi Cinematographer: Ali Ehsani Editor: Amir Azizi Sound Design: Omid Karim Music: Delaram Kamareh Producer: Amir Azizi, Elham Azizi, Ali Azizi

Inside Amir follows a young man in Tehran on the verge of emigrating. Amid scattered memories, unfinished conversations, and slow-moving days, he faces a decision he hasn’t fully made yet: to leave or to stay. 

The only thing he refuses to part with is his bicycle – a companion through the city’s streets and a symbol of his past. As his departure to join Tara, his girlfriend now in Italy, grows closer, we learn how years ago, their relationship kept him from joining a family trip that ended in tragedy. Tara became more than a partner – she came to represent the life he was spared.

Dag Johan Haugerud, writer-director of the trilogy Sex, Drømmer, Kjærlighet and Venice Days Jury President, handed the Giornate degli Autori Directors Award to Amir Aziz. Join us for an interesting conversation between to cinema auteurs

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Amir Azizi (Ahvaz, 1984) began his career in film in 2003. He worked as director’s assistant with renowned Iranian filmmakers including Kianoush Ayari and Rakhshan Banietemad.

He directed several short films, such as The Idiot (2007), Two Cold Meals for One Person (2009), and Family Portrait (2010), which all screened at national and international festivals. His documentaries, Nature and Cities of Iran (2013), Wolf (2018) and Home (2022) focus on local and environmental themes and received critical acclaim. His first feature, Temporary (2015), was screened at the Beijing International Film Festival and Med Film Festival in Rome, winning a Special Jury Prize. His second feature, Two Dogs (2020), competed at Warsaw and won awards at Bangalore and other festivals.

I’m drawn to the poetry of ordinary life, to the subtle rhythms of streets, bodies in motion, and moments that seem quiet but are emotionally charged. Rather than focusing on plot or dialogue, this film explores presence, space, and human vulnerability. I wanted to observe reality without any judgments or spectacle – just a patient gaze that trusts the audience’s sensitivity. My approach avoids slogans or dramatic noises, seeking instead a deeper emotional clarity. Inside Amir is not a statement about migration, identity, or politics, it is a human story about someone trying to stay afloat. I believe that if a film is honest, even in stillness, it can deeply connect with audiences.
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