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Seen as a pioneer of independent film, of underground cinema and as the godfather of the avant-garde, Jonas Mekas has left a legacy of dedication to the art of film, to the “art of the real” and the beauty of the everyday.
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English title: Fragments of Paradise Year: 2022 Duration: 98 min. Country of Production: USA Languages: English, Lithuanian Cinematographer: Bill Kirstein Music: Osei Essed, Saul Simon MacWilliams Director: KD Davison Editor: Michael Levine Producers: KD Davison, Elyse Frenchman, Leanne Cherundolo, Matthew O. Henderson

For more than 70 years, the New York-based Lithuanian filmmaker Jonas Mekas, captured almost everything about his own daily life, defining the diary-film. With his unmistakable persona and bohemian lifestyle, he inspired countless artists, from Martin Scorsese, Peter Bogdanovich, Andy Warhol, and John Waters, to Yoko Ono, John Lennon, and Jim Jarmusch – all drawn to his inexhaustible spirit and belief in the transformative power of cinema. Mekas was also a pioneer who dedicated his life to building an institution around the rise of independent film in the USA. Crafted from thousands of hours of his own video and film diaries, much of which has never been shown before, FRAGMENTS OF PARADISE is a film about the quest for beauty, even amidst deep sorrow, of a man who despite his many traumas, tried to find meaning in everything... using the camera.

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KD Davison is an award-winning director driven by the sense that filmmaking can make us better. If it’s not uplifting, if it doesn’t pierce the limitations of habitual thinking and illuminate our better selves, what’s the point?

KD Davison is an award-winning director.  Her third documentary feature, FRAGMENTS OF PARADISE, won a Lion for Best Documentary on Cinema at the 2022 Venice International Film Festival and a Grand Jury Prize at Doc NYC. In 2020, Davison directed the film adaptation of Jon Meacham’s, THE SOUL OF AMERICA, for Kunhardt Films and HBO, and in 2017, co-directed her first film, ORDINARY PEOPLE, in collaboration with Natalie Johns and Get Lifted Film Co. Davison is driven by the sense that filmmaking can make us better. If it’s not uplifting, if it doesn’t pierce the limitations of habitual thinking and illuminate our better selves, what’s the point?

«I have often thought this is how he would prefer his work to be seen, immersive and in its totality, which presents a paradox for narrative, biographical storytelling. Jonas’ diary films are reflections on his own life story. At some point, it became clear to me that the most honest way forward was about putting together pieces of the story he had already told.»
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