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A wildly imaginative guise for family memory: Endless Cookie leaps between Shamattawa and Toronto, mixing humour, myth, and raw intimacy to re-tell what was always messy and deeply human.
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Original title: Endless Cookie Year of Production: 2025 Duration: 97 min Country of Production: Canada Languages: English, Cree Subtitles: English (for international screenings) Director: Seth Scriver & Peter Scriver Cinematographer: Seth Scriver Editor: Sydney Cowper Sound Design: Andrew Zuckerman Producer: Daniel Bekerman; Alex Ordanis; Jason Ryle; Seth Scriver; Chris Yurkovich

Endless Cookie follows half-brothers Seth and Pete Scriver as they piece together a fractured family history. Growing up in different worlds—Seth in Toronto, Pete in Shamattawa First Nation—their stories clash, overlap, and diverge in unexpected ways. The film weaves Pete’s memories of life on the reserve with Seth’s city upbringing, tracing how race, class, and colonial legacies shaped two very different childhoods under the same absent father.

Wild, exaggerated and sudden bursts of surreal comedy. An echo of memory itself as the film jumps and interrupts itself. Dogs bark, kids wander into the frame, laughter undercuts painful recollections. Through this messy chorus, a portrait of family emerges—imperfect, contradictory, but alive with resilience.

Rather than offering a polished family saga, Endless Cookie insists on the vitality of digression, the honesty of interruptions, and the humour that makes even the hardest truths bearable. It is both a family album and a social history, told with irreverence, vulnerability, and deep affection. A celebration of oral tradition, a critique of what’s erased when voices are buried, and a love letter to storytelling itself.

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Directors: Endless Cookie

Seth and Pete Scriver are half-brothers whose lives bridge city and reserve, art and oral tradition. Seth works from Toronto; Pete lives in Shamattawa. Together they shape stories that are uprooted, uprooting, and deeply rooted.

We set out to make something funny, bizarre, honest—because most stories told about Indigenous life are about loss or pain. We wanted joy, memory, slip-ups, absurdity. We wanted the voices and interruptions that happen when life is lived, not edited down.
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