Tickets
Agatha’s Almanac is a luminous, tactile portrait of resilience and ritual. On a remote farm, Agatha labours with tape, seeds, and seasoned hands.
No items found.
No items found.
No items found.
No items found.
Original title: Agatha’s Almanac Year of Production: 2025 Duration: 86 min Country of Production: Canada Languages: English Subtitles: English Director: Amalie Atkins Cinematography: Amalie Atkins, Rhayne Vermette Editor/Writer: Amalie Atkins Sound Design / Sound: Charlene Moore, Catie Pescitelli, Amanda Kindzierski, Heidi Phillips Music: Green-House, Castle If, Katarina Gryvul, AJ Cornell, Tim Darcy, with contributions by Agatha Bock Producer: Amalie Atkins

Agatha Bock (90) lives alone on her ancestral farm. Despite health challenges, she defiantly tends to her land, cultivating heirloom seeds passed down through generations. Employing antiquated techniques, Agatha plants and harvests her expansive field of watermelons, beans, flowers, herbs, and vegetables entirely by hand. Without a car, cell phone, running water, or even a functioning landline, Agatha’s meditative processes and daily rituals form a vivid counterpoint to the rapid pace of contemporary life. Made intentionally with sensory sensitive viewers in mind, the film carves out a (mostly) calm space in a chaotic world.

Over six years of exquisite 16 mm filmmaking, Amalie Atkins captures her aunt Agatha. The film’s analog textures, radiant colors, and seventh-generation spirit draw us into a sensory haven; reviewers called it “charmingly meditative” and “a handcrafted flower in contemporary cinema’s garden.” Premiered at CPH:DOX and Hot Docs, where it took Best Canadian Feature Documentary, the documentary is more than a portrait, it’s an elegy for persistence, the poetry of the everyday, and the inheritance of ways that refuse to vanish.

No items found.
Director: Agatha's Almanac

Amalie Atkins (b. 1975) is a Canadian artist-filmmaker working across 16 mm, textiles, and installation. Her debut feature Agatha’s Almanac (Hot Docs 2025 winner) reflects her singular blend of handmade aesthetics and poetic attentiveness to place.

“This film is a love letter to endurance, ritual, and the adhesive threads that tether us to place and memory. In Agatha’s hands, tape and seed alike become vessels of care and lineage. I wanted the film to feel lived-in, gentle, persistent—like Agatha herself.”
No items found.
No items found.
No items found.
No items found.